Nos encontramos una tarde de finales de primavera (justo antes del Primavera Sound, que marca el inicio de los festejos estivales) en su estudio. Un rincón donde crear y gestionar Fahrenheit, lugar que comparten con otros creadores como Lantoki, en pleno corazón del Raval barcelonés. Rodeada de bolsos, mochilas y muestrarios de cuero, Andrea me recibe con una sonrisa y un vaso de agua. Ha hecho los deberes y ha respondido la mayoría de las preguntas que le mandamos, aunque la idea es charlar: en directo siempre sale mejor. Sin grabadora ni vídeo, la idea de grabarlo y hacer algo más interactivo me parece fenomenal, así que tendremos que ser un poco más tecnológicos la próxima vez, ya que hoy solo tiraremos de libreta y bolígrafo.
In the outskirts of Barcelona, we find the iconic Walden-7 created by Ricardo Bofill’s architecture studio in the 1970s. The project was conceived as an utopian attempt to build a communal building, a city inspired by the kasbahs in Morocco and bee hives. It was designed by a multidisciplinar group of professionals ranging from engineers and architects, to psychologists and philosophers. They tried to come up with the perfect community, a building adapted to its environment and its people, a building that could strengthen the bonds between neighbors.
The Lion embodies the absolute King, an infinite power rooted in history and time. Although being a nocturnal creature, it has often been related with the Sun, and has become a symbol in many cultures.
So shake your wild manes and roar through this WAMD-curated selection, opened by the Lion of St. Mark.
The Tiger is a beautiful and fierce feline, strong-willed and independent. Wild at times and playful at others, tigers are sacred, an inspiration and a fantasy.
For all the tiger lovers out there, we start an eye-candy journey through art and illustration with tigers as main characters. All styles and techniques are used to portray them: there is poetry in their stripes!
La Casa Vicens és la primera obra arquitectònica d’Antoni Gaudí, construïda entre 1883 i 1888, a l’encara residencial vil·la de Gràcia. El projecte li va ser encomanat com a una segona residència estival per la familia del corredor de borsa Manuel Vicens i Montaner.
-Casa Vicens is the first architectural work of Antoni Gaudí, built between 1883 and 1888, in the back then residential village of Gràcia. The project was entrusted to him as a summer residence for the family of the stock broker Manuel Vicens i Montaner.-
In that isolated world, eons away from what we once called society, I dream of you. I encounter you in my lysergic hallucinations glowing in pink and golden: this galaxy plays with our fears and desires, and pulls the trigger that ignites our souls. Despite my willingness to escape, the idea of losing what remains of you, this tailor-made hologram that keeps me on the verge of madness, just sickens me. I might get loose of these chains, or I might keep on following your steps inside the dark maze of my mind.
A staircase is a journey, where the steps lead you through the way. 1st. Step: The k. k Österreichische Länderbank: It was planned as a bank building which should project solid seriousness and reliance. Otto Wagner was in charge of the design and managed wonderfully to join functionality and his own aesthetics, marking the beginning of 20th century Viennese architecture.
After our stroll through the Arsenale we moved to the calm and shady Giardini, where the Central Pavilion and major Participating Countries pavilions are found by the calm waters of the Laguna. Here we find the two introductory chapters of this travel to discover our human identity trough ART: the Pavilion of Artists and Books and the Pavilion of Joys and Fears.
In a world where the concept of what defines us as humans is lost among conflict, art is most needed. In the 57th International Art Exhibition of Venice (La Biennale Arte 2017) ART (in capital letters) is treated as the ultimate path to freedom, self-expression, question and debate. This years exhibition is designed ‘with artists, by artists and for artists’, quoting Christine Macel, the curator. This journey through their ideas and imagination, their concerns and doubts, their life and practice is structured in nine chapters or pavilions, two in the Central Pavilion (Giardini) and seven across the Arsenale.
Now that days are shortening play those summer tunes again, the ones we used to listen to by the sea, under a great blue sky. Let your uke sound joyful like in those old warm days laying in the green, under a bright dusk sun.