A staircase is a journey, where the steps lead you through the way. 1st. Step: The k. k Österreichische Länderbank: It was planned as a bank building which should project solid seriousness and reliance. Otto Wagner was in charge of the design and managed wonderfully to join functionality and his own aesthetics, marking the beginning of 20th century Viennese architecture.
After our stroll through the Arsenale we moved to the calm and shady Giardini, where the Central Pavilion and major Participating Countries pavilions are found by the calm waters of the Laguna. Here we find the two introductory chapters of this travel to discover our human identity trough ART: the Pavilion of Artists and Books and the Pavilion of Joys and Fears.
In a world where the concept of what defines us as humans is lost among conflict, art is most needed. In the 57th International Art Exhibition of Venice (La Biennale Arte 2017) ART (in capital letters) is treated as the ultimate path to freedom, self-expression, question and debate. This years exhibition is designed ‘with artists, by artists and for artists’, quoting Christine Macel, the curator. This journey through their ideas and imagination, their concerns and doubts, their life and practice is structured in nine chapters or pavilions, two in the Central Pavilion (Giardini) and seven across the Arsenale.
Now that days are shortening play those summer tunes again, the ones we used to listen to by the sea, under a great blue sky. Let your uke sound joyful like in those old warm days laying in the green, under a bright dusk sun.
Friedensreich Hundertwasser – born in 1928 in Vienna as Friedrich Stowasser – became one of the most well-known artists and architects from Austria. His paintings are full of bright colours, spirals and nature elements combined with touches of gold and silver.
“The Wreck of the Unbelievable” exhibition continues at Palazzo Grassi with the colossal Demon with Bowl. The headless statue is one of the key pieces of the fictional shipwreck; the visitor wonders how this fantastic eighteen-meter resin figure was placed in the Venetian classic palace.
Citing Shakespeare’s The Tempest, Damien Hirst reveals the treasures of his exhibition “The Wreck of the Unbelievable” at Punta della Dogana in Venice. The artist proposes an extravagant excercise of believe: all statues, objects and pieces were supposedly sunk in a ship named Apistos and later discovered in the Indian Ocean.
Dear guest, please feel invited to our very special TeA pArTy in Wonderland! You can have a cup of delicious tea and forget about reality, because here the needs and cares of daily routine are TOTALLY forbidden.