In a world where the concept of what defines us as humans is lost among conflict, art is most needed. In the 57th International Art Exhibition of Venice (La Biennale Arte 2017) ART (in capital letters) is treated as the ultimate path to freedom, self-expression, question and debate. This years exhibition is designed ‘with artists, by artists and for artists’, quoting Christine Macel, the curator. This journey through their ideas and imagination, their concerns and doubts, their life and practice is structured in nine chapters or pavilions, two in the Central Pavilion (Giardini) and seven across the Arsenale.
Now that days are shortening play those summer tunes again, the ones we used to listen to by the sea, under a great blue sky. Let your uke sound joyful like in those old warm days laying in the green, under a bright dusk sun.
Friedensreich Hundertwasser – born in 1928 in Vienna as Friedrich Stowasser – became one of the most well-known artists and architects from Austria. His paintings are full of bright colours, spirals and nature elements combined with touches of gold and silver.
“The Wreck of the Unbelievable” exhibition continues at Palazzo Grassi with the colossal Demon with Bowl. The headless statue is one of the key pieces of the fictional shipwreck; the visitor wonders how this fantastic eighteen-meter resin figure was placed in the Venetian classic palace.
Citing Shakespeare’s The Tempest, Damien Hirst reveals the treasures of his exhibition “The Wreck of the Unbelievable” at Punta della Dogana in Venice. The artist proposes an extravagant excercise of believe: all statues, objects and pieces were supposedly sunk in a ship named Apistos and later discovered in the Indian Ocean.
Dear guest, please feel invited to our very special TeA pArTy in Wonderland! You can have a cup of delicious tea and forget about reality, because here the needs and cares of daily routine are TOTALLY forbidden.
Deep in the heart of Barcelona there is a unique building, a shinning white pearl surrounded by the old town streets: the MACBA (Museu d’Art Contemporani de Barcelona), a work by the American architect Richard Meier. The vicinities are burning with life and cheer, a place where all kinds of people gather to skate or to enjoy the sun mirrored in the glazed walls of the museum.
The creation of symbolic stories is a mechanism of the human psyche that allows us to approach the elusive reality we are forced to live in, and a narrative framework to transgress the roles of society. Angela Carter, in her evocative The bloody chamber, reformulates fantastic tales apparently full of innocence.