After our stroll through the Arsenale we moved to the calm and shady Giardini, where the Central Pavilion and major Participating Countries pavilions are found by the calm waters of the Laguna. Here we find the two introductory chapters of this travel to discover our human identity trough ART: the Pavilion of Artists and Books and the Pavilion of Joys and Fears.
In a world where the concept of what defines us as humans is lost among conflict, art is most needed. In the 57th International Art Exhibition of Venice (La Biennale Arte 2017) ART (in capital letters) is treated as the ultimate path to freedom, self-expression, question and debate. This years exhibition is designed ‘with artists, by artists and for artists’, quoting Christine Macel, the curator. This journey through their ideas and imagination, their concerns and doubts, their life and practice is structured in nine chapters or pavilions, two in the Central Pavilion (Giardini) and seven across the Arsenale.
By the calm waters of the Main, in the Museumsufer, we find the Liebieghaus, a museum with an impressive collection that offers an overview of five thousand years of sculpture from Ancient Egypt to Neoclassicism. The splendid Liebieg Villa was built between the 1892 and 1896 by the architect Leonhard Romeis, and combines features of different architectural styles from all over Europe.
Los Angeles, the city where dreams are made and destroyed, where underground culture blends with glamorous stardom, but most importantly, where skies are infinite and sunsets pure psychedelia.
The 56th Biennale of Art in Venezia closed its gates on 22nd November 2015. This year it was celebrating the 120th anniversary of the first Art Exhibition in 1895. As every two years it was a must see event to experience the paths art is taking in nowadays culture.